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Join a cohort of artists committed to launching or improving their artistic small businesses for a monthly meeting on the second Tuesday of each month (see one exception below).Artists from either the Lake Region or Five Wings Region are eligible to apply, and the artists selected to participate must be able to attend all ten sessions. The primary presenter will be Kathleen Richert of Springboard for the Arts. For more information about the Work of Art series of courses, go to the Springboard website.
While 1989/1990's Forever Everlasting was a decent, if uneven, debut, Everlast's second solo album, Whitey Ford Sings the Blues is an amazingly eclectic gem that finds him really pushing himself creatively.
Between those two albums, Everlast joined and left House of Pain, which evolved into one of the most distinctive rap groups of the 1990s.
While Pain's albums thrived on wildness for its own sake, Whitey Ford has a much more introspective and serious tone.
And the plot thickens -- on "The Letter," he raps over a jazz-influenced piano.
Given how rap's hardcore tends to frown on rappers crossing over to rock, it took guts for Everlast to be so diverse.
But it's a good thing that he did, for his risk-taking pays off handsomely on this outstanding release.Starting September 11th, Springboard for the Arts will present its entire ten-part Work of Art: Business Skills for Artists series in partnership with the New York Mills Regional Cultural Center and Minnesota State Community and Technical College’s Business and Entrepreneurial Services Program.Everlast, who was born with a heart defect, was in the process of recording the album when he needed life-saving open-heart surgery; in fact, he was lucky that he was around to see Whitey Ford completed and released.Though not without its share of hardcore b-boy rap, Whitey Ford also finds Everlast playing acoustic guitar, doing some singing, and exploring folk-rock, Memphis soul, and heavy metal.As a singer, Everlast has a relaxed style that sounds a bit like Gil Scott-Heron."Today (Watch Me Shine)," "Ends," and "What It's Like" venture into Neil Young/Bob Dylan territory, while "Hot to Death" is blistering metal with industrial touches.